Thanks, Clarissa

I started reading Anne Tyler’s Vinegar Girl yesterday, and it took me awhile to realize that it’s a retelling of Taming of the Shrew (although I did notice the coincidence of names). The love interest, Pyotr, doesn’t seem to want to tame Kate. He likes her fine the way she is. In chapter one, he beams approvingly as he says of Kate, “Just like the girls in my country. So rude-spoken.” When Kate suggests the term “women,” he says, “Yes, they also. The grandmothers and the aunties.” Later he says, “It is evident you could choose any husband you want. You are very independent girl. Woman. You are very independent woman and you have the hair that avoids beauty parlors and you resemble dancer.”

From Clarissa’s descriptions of Ukrainians, I recognize that Pyotr is probably absolutely accurate and truly attracted to Kate. Although I’m exceedingly happy in my marriage, he sounds pretty good to me, far more interesting and worthwhile than most of the Romantic Heroes of Romance. Romance writers please take note! We need more Ukrainian heroes. Kthxbai.

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Writing Shed: for Undine

If you fantasize about a writing hut in your garden, here’s a series of posts for you (and click on the Victorian Renovation tab for more):

http://maryannemohanraj.com/2018/04/13/20178/

http://maryannemohanraj.com/2018/04/29/shed-writing/

http://maryannemohanraj.com/2018/06/08/shed-space/

http://maryannemohanraj.com/2018/06/08/shed-exterior-paint/

Calm

A couple of people have called me “calm” in the last few months. This is not a word I would ever have applied to myself, so it surprises me to have it come up in both a familial and a professional setting.

My more reasonable brother said I was a calm person, based on (I suppose) his observations of my interactions with our father and other brother. The chair of my department said I seemed very calm about the process of applying for Full.

Well. Have I, perhaps, learned what is and is not important? Is it that I have dealt with far more stressful situations in the past, and so the current ones don’t seem particularly challenging? Or do I take my cues from people around me and I am currently fortunate in that they are fairly calm, so I can be, too? Maybe some of all of these.

Family is easier than it used to be. My mother’s final years were very stressful, because she constantly solicited help and then pushed it away, always with hysterical lamentations of How Awful Everything Is and how None Of Her Children Understood (she showed many signs of Borderline Personality Disorder, though she was never formally diagnosed with it). My brothers couldn’t really cope with her at all, so a lot fell to me. In comparison, my dad is a piece of cake. At his angriest and most demented, he is more straightforward and easier to deal with than my mother was. I have developed a number of mantras to help me deal with my less reasonable brother, including “Geoffrey’s gonna Geoffrey*” and “With those armpits.”

Anything work-related pretty much falls into the category of “not that important.” I do my job to the best of my ability, of course, but it’s not a life-and-death job like medicine. I’ve seen a lot of promotion applications because of sitting on a significant personnel committee, so I have a good idea of what they should look like and what the acceptable range of variation is. My colleagues support me, or they wouldn’t have invited me to apply. I have a good reputation in the college my department belongs to. It’ll all be fine.

Really, the most stressful thing in my life last week was having a journal tell me that the images I had provided were not suitable. This meant I had to scramble to learn a few things about GIMP so I could manipulate what I had (since going to England to take new photographs is not going to happen this week!). It all worked out. I’m a little behind on grading, but I’m sure that will work out too.

Lots of people have real problems, but I’m not one of them, not now anyway. So I guess I am calm.

*Not his real name, but his modus operandi is so predictable that it should certainly be a verb.

When Reading Is Doing

It’s Saturday morning, sunny though cold, and I have loads of things I could pick out to do: stretch, go to the gym, pack/de-clutter, grade (the current batch of papers look quite good; this will not be a purgatorial task), work on my application for Full, work on The Last Overdue Revisions, color while the light is good, play with my kitties, futz about on the Internet (oh wait . . .), and what do I do? Put together a bibliography for an article I want to write, on a text I’m teaching, a text that hasn’t received enough attention IMHO. I’ve ILL’d one essay, and I can get several others in hard copy at my library, and there’s one book I’m dying to get my hands on that may require a field trip because there are about 7 copies in the world and they don’t circulate.

(Another obsessive un-answerable question: why are there not copies in UK depository libraries, when it was published in the 20th century in London and copies are supposed to go the BL, the Bod, and CUL? Did someone not send them? Did someone not catalog them? Are they somehow catalogued by something other than author and title? I have poked around in the online catalogues, and I do know how to use them, and this book does not turn up. My lawful-good-J side is deeply disturbed: something went wrong in the book world. I tell you, were I not an English professor I would need to be a Literature Detective.)

Someday when I’m futzing about online I really should create a blogroll. I spend quite a bit of time reading blogs by delightful-sounding women who enjoy food, crafts, gardening, restoring old houses, and similar pursuits that I prefer reading about to doing. Despite all the well-meant advice on the Chron fora and similar places about Getting A Life and Pursuing Hobbies Outside of Work, what I really want to do, what I get excited about and spend sunny Saturday mornings on, is reading, researching, and writing. I’ve tried the gardening, restoring, crafts, and so on. They sound like fun. The results look good. But I just don’t get fired up about things I can do with my hands. Except write, which is manual labor, as Colette said.

I have other projects I need to finish right now, so this putative article will go on The List (I have learned the hard way not to get distracted by the New Shiny). Someday I will get to it, and my future self will be happy to have the core bibliography assembled and some basic thoughts outlined. Maybe next spring, when I hope to teach this text again.

Barcelona

My Spanish experiences are more Andalucian than Catalunyan, so, here, a rose from the Alhambra for the victims in Barcelona.

¡Ay, cómo lloran y lloran,
¡ay! ¡ay! cómo están llorando!

I don’t know . . .

I’ve been thinking about a new template for awhile. I like the two-column format. But I miss the stripped-down minimalism of my old template already. I may have to keep experimenting. Any thoughts or recommendations?

Oh, Parliament . . .

http://www.nytimes.com/2016/02/11/world/europe/critics-ruffled-as-parliament-turns-the-page-on-parchment.html?emc=edit_th_20160211&nl=todaysheadlines&nlid=28733710

I did not know that parchment had remained in use until the present day by this august institution, but I am disappointed that the tradition is ending. While it is true that high-quality paper lasts for centuries, parchment lasts longer. The cost doesn’t seem high enough to make much difference in a country’s budget. Will sixteenth-century Acts of Parliament still be available to scholars when the 21st-century ones have crumbled to dust?

I had not thought about this question before: what style of handwriting was used through the twentieth century for the written-on-parchment records of the British Parliament? I’ve never looked at anything later than the 17th century.

Auden’s conclusion

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.