A week of spring

But how is it already a week since I posted?

Spring is moseying along thinking about whether it really wants to show up or would rather just turn back, go home, and put its fleecy pjs back on for a Netflix binge. There are more birds. They perch on the roof next door and taunt Reina, who chitters at them. There are snowdrops and crocuses in other people’s yards, not mine. Some other bulb flowers have stuck leaves above ground, in my yard, but that’s all. I considered raking up the leaves/mulch from last year, but we’re still supposed to have some below-freezing nights in the next week, so I think I will wait.

One of my classes is still awesome. The other, well. I had them sign up for conferences about their third paper, and lectured them a bit about making the most of the opportunity by doing a little work beforehand, like at least decide which option they want to write on. And check the instructions for the paper, because I am not giving them instructions just to make them jump through hoops, I am telling them how to do well on this paper and exactly what I am looking for if they will just read the instructions.

I mean, I can explain it to you again but I can’t understand it for you.

I once had a massage therapist who told me that in Chinese thinking, spring is the angry season. Works for me. Of course, then I need some excuse for my mood during the other seasons.

Sometimes I look at spring clothing online or in the catalogs that still show up in the mail, and consider this dress or that shirt, and then realize I don’t want to buy anything new, I want it to be warm enough to wear the spring clothing I have.

Lots of the bloggers I read post recipes they have tried or devised, or about meals they have enjoyed. Sometimes I enjoy these vicariously but more often lately I get cranky because I can’t eat that, can’t eat that, can’t eat the other thing either. It seems like some people travel to eat. I travel to look at things, because architecture, paintings, and scenery don’t make me sick.

I am making progress on some of the things I need to work on rather than having feeeelings about (mainly guilt) but now my feeeeeling is omg there is so much of this no wonder I didn’t want to do it because this is going to take so long. That is, I absolutely should have started sooner, but now the only thing to do is keep slogging along because It Is Not Going To Get Any Earlier, and the best I can do now is Don’t Make It Worse.

Usually this is the sort of thing I say to myself in February. Hey, April, are you going to be bringing warm days and a burst of energy? Come on, girl, we could use you over here. Take off the pjs and put on a flowered dress, you’ll have a good time once you get there.

What we saw in London

Attentive readers may recall that I wanted to see the Edward Burne-Jones exhibition at the Tate Britain. We started there. I loved it. So many pieces I had seen only in reproduction; I had no idea of the scale of many of the paintings. Some were much smaller and others much larger than I had imagined. I amused Sir John by referring to an early Annunciation as “Treehouse Mary.” Our old neighbor’s daughter Meg bears a certain resemblance to Margaret Burne-Jones, so I got her parents a postcard of MBJ’s portrait. Circe’s panthers were another highlight (since I’m fond of black cats).

We also saw Sir John Soane’s house, nipping in before it closed for a week for renovations. I enjoyed that very much, as I love house museums. I can’t imagine why I hadn’t seen it before, considering all the time I’ve spent in and around Lincoln’s Inn, but perhaps on previous trips it was being renovated, or was just too crowded. I bought a fascinating little book about the Soanes’ domestic life.

We visited the Museum of London, where we concentrated on pre-history, Britons, and Romans. After that, our feet gave out and we went to lunch, followed by a brief return to the gift shop. I’ve seen the medieval and early modern galleries before. I would have liked more time with the later materials, but we were just too worn out. There may have been some time in a bookstore later in the day.

At the British Museum, we focused on “I Am Ashurbanipal, King of Assyria, King of the World.” Well done and interesting, we thought. I did think the gift shop missed a trick in not having coloring books based on Assyrian designs. I had in mind flowers, birds, horses, and abstract borders. Sir John said, “Severed heads in the bushes, and corpses in the river, and refugees leaving town, just the thing for coloring books.” I conceded that he had a point. Methods of warfare really didn’t change much over the millenia; the siege ladders and wall-defenders looked much the way they do in medieval depictions.

We spent a pleasant afternoon in Wimbledon with an old friend, following a pub lunch with a wander around the common and a rummage through some charity shops.

Had our airline been a bit more timely in advising us of a delayed flight, we would have been able to put in a morning at the V&A, but that didn’t happen. I had thought possibly we’d get tickets to some theater production, but didn’t organize anything before we left, and in the event, it’s just as well. Sir John needed a nap every day in the late afternoon/early evening (I’m faster at adjusting to time zone changes, or maybe just more used to functioning on insufficient sleep, thanks to years of sleep disorder), so I fear he would have fallen asleep in a dim theater.

It was a good trip, and I’m glad we went. Thanks to traveling to more northerly, gloomier climes, it seems much brighter at home now. And I can’t believe it’s still not quite the middle of January. Thanks to two trips over the winter break, it feels like the break lasted for months, even though each trip was only about a week long.

A nutjob with company

Sir John is also interested in the Burne-Jones exhibit, so we’re going to make it a joint vacation. Yay! It is lovely to be married to someone who is weird the same way I am shares my interests.

And this weekend (well, tomorrow, I guess) we’ll visit the storage unit and dig out my light box.

I expected to be unpacking in a new place by now, but no such luck. Hello housing slump. Hello continued hellish commute (now with extra road work). I shall think about what other packed-away items I’d like to have back, since it looks as if we’ll be in this house for another winter.

SAD nutjob = me?

If you’ve read this blog for awhile, or visited the archives, you’ll know I get very gloomy in winter (which I think of as Iguana Sseason), that I long to spend all of December in Morocco or Mexico, and that it is very good for me to take at least a short domestic break somewhere sunny, as I did in 2015. So why, why am I contemplating a trip to London in January, when it will no doubt rain every day and the days will certainly be even shorter than they are here at home?

Because of the Edward Burne-Jones exhibition at the Tate Britain, which runs 24 October 2018 – 24 February 2019.

I’m not sure that it’s exactly EBJ himself drawing me (if you’d asked me who my favorite nineteenth-century painter was, I probably would have said Rousseau, or possibly Corot), but a combination of his artistic, literary, and historical significance alongside the provenance of many of the exhibited items, on loan from private owners. This is really a once-in-a-lifetime opportunity to see paintings whose owners have gone off to their winter homes in Morocco or Ibiza or wherever, before they come home in March and want their stuff back. It’s not as if Andrew Lloyd Webber is ever going to invite me over for a drink and a good ogle at his Burne-Jones collection. We’ve never even met, and I probably would seem like a dodgy, not to mention boring, guest, likely to drone on about owners of medieval manuscripts and the beginnings of the EETS.

Traveling overseas purely to see a museum exhibition seems most extravagant and self-indulgent. If the exhibit ran until summer, I could combine it with the Early Book Society conference or Leeds, but the dates are what they are (and I’m not giving a paper at either conference, it’s just that if I paid my own way to either I’d feel that I had a respectable professional reason to travel, plus I could take some time to look at manuscripts). However, January is the off-season, as well as when I have a little bit of a break from both teaching and family obligations. If I take a not-so-desirable flight, and go for a shortish period of time, I can stay someplace decent and probably pay for the whole thing with my first year’s full-professor salary bump.

I think I’ve talked myself into it, even though I hate traveling in the winter, as a general thing. Does exposure to art counteract SAD as well as actual sunshine does? Perhaps it’s worth running the experiment.