I don’t like the two matching green pens I found in my desk drawer; they have too thick a line, and the ink smudges easily. Probably I ought to throw them out. But I may leave them in the department office to see if anyone wants to adopt them. Some people like thick lines, or else why would there be 0.7 mm tips?
However, in my attempts to color with them, I have established that I need a new and different green felt tip pen. No, really, I need it. A sort of pine green, fine tip. Perfect for flower stems and leaf borders.
For another 36 hours or so, I have no grading to do. This is very strange and makes me feel unmoored.
OTOH, I really must get on with a complicated piece of writing I’m working on. That ought to be enough to anchor me.
Or I could feel anxious about the need to book flights and some other elements of travel.
I wonder what it’s like not to have anything hanging over one’s head to feel anxious about. If I achieved that state, would I start getting anxious about something unbelievably trivial, just because I’m used to having some nagging little worry in my head? Or would I go set up a jigsaw puzzle, visit a bookstore or the library, bake cookies, and settle into a hot bath with a glass of sherry and a novel at some mid-point of the day? (In other words, indulge in my exceedingly tame version of wild debauchery.)
Perhaps I should move my desk for the winter. In seasons when there are leaves on trees, I like looking out the window into the treetops. When I’m looking at branches either bare or with a few miserable dead leaves stubbornly clinging, and houses on the other side of the alley, I’m not so happy with the view. I wonder where Sir John’s painting of California foothills (golden hills, olive green live oaks) has got to. No doubt wrapped up and in storage. I’d happily stare at that all winter if I could find it.